Monday, 16 August 2021

Queen Dee - New Spoken Label Session














Latest Spoken Label (Author/Artist Podcast) session features the wonderful Queen Dee.

Queen Dee as described on her bandcamp page is described as "QUEEN DEE began her career performing spoken word, but has branched out into music and visual design over the last few years. She is now producing her own music, as well as collaborating with other artists.

Her style is eclectic; a mix of poetry and loosely structured pop music"

This can be streamed / downloaded from: 


https://podcasts.apple.com/ca/podcast/queen-dee-spoken-label-august-2021/id1501847969?i=1000531648291

(Apple/Itunes)

https://spokenlabel.bandcamp.com/album/queen-dee-spoken-label-august-2021

(Bandcamp)

https://anchor.fm/spokenlabelpodcast/episodes/Queen-Dee-Spoken-Label--August-2021-e12e0ke

(Anchor)

https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kOTA1ZTkwL3BvZGNhc3QvcnNz/episode/M2M5MmMyMDAtMmJjMC00MDc0LTk1ZGMtYWIzODVmMDMyZmQ0?sa=X&ved=0CA0QkfYCahcKEwjIqe3LiK_yAhUAAAAAHQAAAAAQAQ

(GooglePodcasts)

https://www.youtube.com/watch?v=j0KWXgUc6_Y&t=293s

(Youtube)

https://radiopublic.com/spoken-label-6BalgM/s1!4988a

(Radiopublic)

https://castbox.fm/episode/Queen-Dee-(Spoken-Label%2C-August-2021)-id2678341-id413018021

(Castbox)

https://www.listennotes.com/podcasts/spoken-label/queen-dee-spoken-label-aSwlYpjHr1g/

(Listennotes)

https://www.bullhorn.fm/spokenlabel/posts/queen-dee-spoken-label-august-2021

(Bullhorn)

https://podcastaddict.com/?id=https%3A%2F%2Fanchor.fm%2Fs%2Fd905e90%2Fpodcast%2Fplay%2F35110990%2Fhttps%253A%252F%252Fd3ctxlq1ktw2nl.cloudfront.net%252Fstaging%252F2021-5-8%252Fcfced8c7-f8db-31b5-362d-09336c3795b7.mp3&podcastId=2748767

(Podcastaddict)

https://www.podbean.com/ew/dir-cs39w-f8c41ab

(Podbean)

https://podbay.fm/p/spoken-label/e/1628636400

(Podbay)

https://music.amazon.co.uk/podcasts/bae49616-2295-4e7c-b931-91415a724cb6/episodes/f5d812cb-2745-4e82-97ba-5f978773baf0/Spoken-Label-Queen-Dee-Spoken-Label-August-2021

(Amazon)

https://tunein.com/podcasts/Arts--Culture-Podcasts/Spoken-Label-p1317427/?topicId=165041811

(Tunein)

https://www.owltail.com/podcast/5FvX6-Spoken-Label?fbclid=IwAR2Q8DbgtIsFb90qGUDwiLn75nkxuhCX61XEuruaUTIHrJtk3RTu_w7Kmgw

(Owltail)


https://www.audible.co.uk/?ref=Adbl_ip_rdr_from_US&source_code=AUK30DFT1BkWS0826159058&ipRedirectFrom=US&ipRedirectOriginalURL=pd%2FSpoken-Label-Podcast%2FB08K58XN7S%3Ffbclid%3DIwAR07bhE57TTzkeTz_TSkpPb4ULhAmK3gYwOTBhOIjagV_MASumherRh-G4E

(audible)


https://open.spotify.com/episode/6tcjdHHwND2OEvzLVZlAf4

(Spotify)


Saturday, 14 August 2021

Writers Influences 22: Andy N on Hugo Williams











I remember at university being told when I was struggling to find my own idenity and indeed voice as a poet, if you keep looking and reading you will find your own favourite poet over time. At the time I was reading loads of poetry including acts like Sophie Hannah, Lemn Sissay, Jack Kerouac, Tennyson, Joolz, Allen Ginsberg, Benjainn Zenhiah and Yevtushenko who wrote a lovely poem called Zima Junction among a variety of others but despite loving them all not really gave me any real clue who I wanted to be as a writer.

In 2000, in the middle of my second year I got persuaded to go and watch my tutor and a few others do a reading at the local Waterstones. Time has took away what I thought of the reading or indeed who I was seeing aside from my tutoor but I do remember winning a prize in the reading of one of three or four poetry books and I picked Hugo Williams’s ‘Billy’s Rain’.

I can’t remember why I picked up as I certainly didn’t know the author at that stage – perhaps it was the sad look in the painted woman’s eyes on the front cover with the cigerette in his hand or the very title itself ‘Billy’s Rain’. Who or was Billy’s Rain but I was curious and took it thinking it would be a load of rubbish and then missed my train back home completely engrossed.

Billy’s Rain is described as “The fifty poems in Billy's Rain chart the course of a love affair, now ended. Its complications, obsessions, evasions, secret joys and emotional pitfalls are explored with all the subtlety and irony of which Hugo Williams, among contemporary poets, is the acknowledged master. These are brilliant, wry and moving elegies for a love affair.”

It’s hard to describe over twenty years later what that book did as a poet I guess as I took it as a love story which simply went wrong in short, snapshots from a longer story which had to be read in order to understand the narrative.

I have got and had loads of other poetry in the run-up but there was some in the stripped down language here which really hooked me left, right and center.


Sections like “I’m writing it now –

disjointed scenes from our life,

its early promise, personal triumphs,

eventual loss of faith.”


were certainly nowhere as flowery or anywhere as technical as much I had read up to that point in my then fledging poetry career but had a earthyness that really hit me and stays me even now.

It’s ironic too I guess that I only found out a few years ago that the book was indeed about a affair that the poet had behind his wife’s back which by consicence I was then working on a long standing project called ‘Changing Carriages at Birmingham New Street’ (which hopefully will be finished in either 2022 or 2023) which has a influence of Williams.

This book works for me as through the subtle nature as it doesn’t tell you everything and considering it foxed me for nearly 15 years with its undertoe of a message doesn’t surprise me and I don’t doubt I will continue to draw more meanings out over the next twenty years.


*

Andy N is the author of six full length poetry books, the most recent being ‘Haiku of Life’ and numerous split poetry books and co-runs the always welcoming Spoken Word Open Mic night ‘Speak Easy’.

He also a regular column on the Sunday Tribune and does ambient music under the name of Ocean in a Bottle.

He also runs/co-runs Podcast series such as Spoken Label, Reading in Bed, Comics Unity, Wrestle Up and Kol, Andy and Amanda.

His website is: http://onewriterandhispc.blogspot.com/

*

Hugo Williams is the son of 1930s film actor Hugh Williams and model and actor Margaret Vyner, poet Hugo Williams was born in Windsor, raised in Sussex, and educated at Eton College. He worked at London Magazine from 1961 to 1970 and has also edited poetry for the New Statesman.

Williams is the author of more than a dozen collections of poetry, including West End Final (2009), Collected Poems (2002), Billy’s Rain (1999), which won the T.S. Eliot Prize, Selected Poems (1989), and his Eric Gregory Award–winning debut, Symptoms of Loss (1965). A selection of his freelance writing appears in the essay collection Freelancing: Adventures of a Poet (1995). His additional honors include the Queen’s Gold Medal for Poetry, the Geoffrey Faber Memorial Prize, and the Cholmondeley Award.

(Originally published on the Sunday Tribune on 15 August 2021) 

Friday, 13 August 2021

Nanci Griffith - R.I.P.

 












Growing up in the mid 1980s, I have stated in previous posts and poetry, I didn't have a good time at my second Secondary School, Lostock with bullying and abuse over my disabilities which nowadays would have resulted a number of children getting expelled certainly, but back then left me a very lonely child frequently.


In some ways this was down to a lot of my unusual music taste where instead of growing up listening to the usual 80s fodder, I grew up loving 50s and 60s folk music, Scottish bag-pipe music  and Rock N Roll / Country from the 70s all via my Dad which although helped me grow up with a very wide taste in music which went way over my so called class mates heads.


Over time and through listening to a lot of country music programmes on the 80s, I gained a love of the new country movement in the late 80s including most famous Lyle Lovett, Steve Earle being two of them, both of which I had the pleasure of seeing. 


Perhaps best of them was a little figure, who came on stage by herself who I thought for a few seconds was going to be way too shy to sing, at Manchester Apollo in November 1989, Nanci Griffith. I first came across Nanci through her ‘Lone Star State of Mind’ album after hearing the title track and then Trouble in the fields, I was hooked even more with the next album ‘Little Love affairs’ which to this day is one of my favourite albums of all time. 


I don’t remember the exact set-list she played, but she left me spellbound that night and I don’t dare the full of the audience that night and although I never saw her again after that night, and my music taste moved on as it did at that time, those three albums ‘Lone Star State of Mind’, ‘Little Love Affairs’ and ‘Storms’ all hold a place in my heart even now.


I drifted away from her releases after ‘Late Night, Grand Hotel’ but those three albums pulled me through some difficult times in the 90s which made it even sadder for me as I had recently purchased her first three albums ‘There’s a light beyond the woods’, ‘Poet in my Window’ and ‘Heart of a Miner’ that charmed me as much as back when I was 16 or 17 which made it even sadder when I read before she had passed away before. 

Cheers Nanci.

R.I.P.


Thursday, 12 August 2021

New Spoken Label Session - L Bordetsky Williams, author of Forgot Russia.

 











Today's Spoken Label session (Writer/Artist Podcast series) features the wonderful L Bordetsky Williams, author of Forgot Russia. Forgot Russia is described as "“Your problem is you have a Russian soul,” Anna’s mother tells her. In 1980, Anna is a naïve UConn senior studying abroad in Moscow at the height of the Cold War—and a second-generation Russian Jew raised on a calamitous family history of abandonment, Czarist-era pogroms, and Soviet-style terror. As Anna dodges date rapists, KGB agents, and smooth-talking black marketeers while navigating an alien culture for the first time, she must come to terms with the aspects of the past that haunt her own life. With its intricate insight into the everyday rhythms of an almost forgotten way of life in Brezhnev’s Soviet Union, Forget Russia is a disquieting multi-generational epic about coming of age, forgotten history, and the loss of innocence in all of its forms." You can read more about L Bordetsky Williams or Lisa to me at: https://spokenlabel.bandcamp.com/album/l-bordetsky-williams-spoken-label-august-2021-2 (Bandcamp) https://podcasts.apple.com/ca/podcast/l-bordetsky-williams-spoken-label-august-2021/id1501847969?i=1000531031886 (Apple) https://anchor.fm/spokenlabelpodcast/episodes/L-Bordetsky-Williams-Spoken-Label--August-2021-e1288de (Anchor) https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kOTA1ZTkwL3BvZGNhc3QvcnNz/episode/MWE4YjIyMmItYzIzMy00NTgzLWI0MzUtZTFjZDg0MWNkZjhj?sa=X&ved=0CA0QkfYCahcKEwjgmtaClazyAhUAAAAAHQAAAAAQAQ (Google Podcasts) https://www.youtube.com/watch?v=hdC1pnybIBc&t=1336s (Youtube) https://radiopublic.com/spoken-label-6BalgM/s1!9f2f3 (Radiopublic) https://castbox.fm/episode/L-Bordetsky-Williams-(Spoken-Label%2C-August-2021)-id2678341-id411241409 (Castbox) https://www.listennotes.com/podcasts/spoken-label/l-bordetsky-williams-spoken-lcCafp0yVod/ (Listennotes) https://www.bullhorn.fm/spokenlabel/posts/l-bordetsky-williams-spoken-label-august (Bullhorn) https://podcastaddict.com/?id=https%3A%2F%2Fanchor.fm%2Fs%2Fd905e90%2Fpodcast%2Fplay%2F34922350%2Fhttps%253A%252F%252Fd3ctxlq1ktw2nl.cloudfront.net%252Fstaging%252F2021-5-5%252Fc71935ca-d1f8-c658-075b-49b9fe3762cc.mp3&podcastId=2748767 (Podcastaddict) https://www.podbean.com/ew/dir-phayf-f7affeb (Podbean) https://www.himalaya.com/episode/l-bordetsky-williams-spoken-label-august-2021-143022543 (Himalaya) https://podbay.fm/p/spoken-label/e/1628121600 (Podbay) https://music.amazon.co.uk/podcasts/bae49616-2295-4e7c-b931-91415a724cb6/episodes/2bd7999e-f5d8-436d-967c-2e46ecde66a7/Spoken-Label-L-Bordetsky-Williams-Spoken-Label-August-2021 (Amazon) https://tunein.com/podcasts/Arts--Culture-Podcasts/Spoken-Label-p1317427/?topicId=164919504 (Tunein) https://www.owltail.com/podcast/5FvX6-Spoken-Label/episodes (Owltail) https://www.audible.co.uk/?ref=Adbl_ip_rdr_from_US&source_code=AUK30DFT1BkWS0826159058&ipRedirectFrom=US&ipRedirectOriginalURL=pd%2FSpoken-Label-Podcast%2FB08K58XN7S%3Ffbclid%3DIwAR15Xs78EdmedPoOVfkeHMjsE44aX68TKVbaOkCT4zMqclzYq0V2q4ze_Ic (Audible) https://www.instagram.com/tv/CSfEIl-DvVeNJZAAK1N2yjeANPkAhP85FYijyk0/ (Instagram) https://open.spotify.com/episode/1hyU1rjyoBNvm00CvLcbyG (Spotify)  

Wednesday, 11 August 2021

No laughing around – a chat with Ilaria Passeri

 














Since lockdown / the virus first swept across the world and my local area, people have been forced to look for entertainment that don’t watch Television (I’ve not owned a Television in years) elsewhere. When previously my partner and I would be out watching performers / artists put shows / doing readings etc now we have to look at this from a very different perspective as a audience member.

But what of the artists themselves? As a writer myself, I am used to going to quite a few Literature open mic nights myself and it is interesting to note how are  comedians / storytellers operating in this time which relay on audiences and how now found their approach having to completely change.

Take for example, Manchester based Ilaria Passeri. I first met her at the Sunday Assembly, a Sunday morning reading in Manchester in November last year and was mesmerised by her storytelling which I’ve read described as funny and warm with a touch of nostalgia and a pinch of pepper.

I met her again shortly after for a session for Spoken Label which was released in February of this year when she told me story after story of a show she was planning to run called Lady Ilaria’s drawers in March.

I did my show in March with my producer’ She told me in a recent chat ‘and then I was going to be doing another one in May, then June and July and then Camden fringe at the Hen and Chickens Theatre Bar in August but Camden fringe has been cancelled’.

Ilaria tells me in addition “I’ve tweaked the show with my creative producer. I’ve been using this extra time to write stories and essays to use in the show after Lady Ilaria’s Drawers. I’ve been doing gigs at online events. I’ve also been filming stories. I’ve been teaching workshops in writing and drama online to ages 10-19  and lots of cooking!”

Of course Zoom, facebook live and countless other internet readings are the normal and in relation to internet readings she added in relation to doing these “In some ways it’s been lovely. I’ve been able to do some london events without the expensive train ticket and it’s kind of nice that once the gig is over I don’t have to get the tram home late at night. Nothing beats the real thing though and I can’t wait to get back to gigging properly in sweaty rooms in the middle of nowhere filled with characters”

Living in lockdown and Co-Vid 19 myself as a writer has forced me to look at my own writing in a different way and asked about that she concluded “Yes definitely. I think a shift in anything is important react to, in some way. Most of my writing is about my upbringing and growing up and is often related back into being about my family. Recently I’ve thinking about things from a wider perspective. A lot of my stuff is very introspective so I’ve been working on looking further afield, then back to me, then back out”

More about Ilaria can be seen on her website at https://ladyilaria.com/

Photograph by Andy Hollingworth

(Originally published on the Sunday Tribune on 07 June 2020)


Tuesday, 10 August 2021

Ghost of a chance - an interview with Amanda Steel

 














Ghost of a chance – an interview with Amanda Steel


The outbreak of Covid 19 throughout the world has caused more than a few problems for writers and artists, in particular writers who had books and publications due out either just before or after the virus struck and changed things.

Take for example ‘Ghost of Me’ the latest novel by Amanda Steel. Amanda released her novel on 02 March 2020 just before Covid 19 broke and had been gathering reviews such as “This is a rare find. A great paranormal thriller. Spine-tingling and goosebumps throughout the book. Fast paced and action packed storyline. Keeps you from putting this book down” and “The characters are solid and well-drawn, the locations and situations almost cinematic in their description. The narrative moves along at a brisk pace making it difficult to tear oneself away from the story. I thoroughly enjoyed the book and am sure it will appeal to a broad spectrum of tastes. Ghost of Me is a fine addition to Amanda Steel’s body of work and I do not hesitate to recommend it”, both on Goodreads.

She also has gathered reviews on Amazon, “A ghost sees her own body after her murder. Now she wants to find the murderer. This is an enjoyable story following Sarah as she tracks the killer, meets a helper that can see the dead, and uses a Ouija board to stop him from murdering again. An interesting and fun story”.

During a recent conversation, Amanda said she had spent months planning the release of the book and when the virus broke, she had just started making in-roads in the American Market with a promising sale to an independent Book Shop.

I had already learnt a few things form my two experiences of having a publisher,” she began, “so I set up my book with Ingram Spark to get a better distribution, bought my own ISBN and began marketing months in advance of the release date. I started sending out ARCs (Advance reader copies) and got some great reviews. I was posting extracts on my websites and social media and doing radio interviews. I read the prologue out at some spoken word nights, which resulted in a sale of an advance copy before the book was even out. Then I got the pre-order from an independent book shop in the US for 8 copies. I can’t say whether this would have been the start of many orders from bookshops in the US or anywhere else around the world, but it looked like this was going to be my biggest selling book. Admittedly, that wouldn’t take much doing, as my other books have only ever sold a handful of copies. I planned to read at more nights and contact local libraries and bookshops to try to set up some author readers and Q&A sessions. The virus was becoming more serious by this point, so those things never happened.”

I know of a number of other writers who would have given up after something like this happened, Amanda, to her credit has simply took this down a different path. She says “Ghost of Me is currently being made into an audiobook, so that gives me the chance to market it again. The narrator wants to interview me on her podcast and I’m trying to find other podcasts where I can be a guest and talk about the audiobook. I had to adapt quickly with the lockdown and started doing online readings, but they were a bit too thrown together, because the book had already come out by then and I hadn’t planned on using social media in that way.”

Using Social Media in a different way is something all writers and artists have done since Co-vid 19 broke out and it has involved all artists learning how to do online readings, whether they had done them before or not.

They are so different from performing in person.” she advises. “Whether anyone is watching online or not, it still feels like I’m performing to any empty room. I completed a few smaller projects while in lockdown; an interactive fiction book and a chapbook of poems. I’ve done online readings for both now and although I still find it weird, I’m getting more used to it.”

Ghost of Me is available on Amazon and all other book sites.

Amanda Steel’s official website is https://www.amandasteelwriter.com/

(Originally published on the Sunday Tribune on 31 May 2020)


Monday, 9 August 2021

Meet Manchester Writers Andy N and Amanda Steel

(First published in the Sunday Tribune on 18 September 2019)



If you had ever met me, you would know I have been writing poetry of some kind since I was around 11 or so (I’m now 47) and have been getting my work published and performed aloud on a regular basis since the middle of 2007. If you work it out, that’s just over 12 years. Being the way I am as a person, I am always willing to try and help people out with their work in any way I can, but it was only when I started dating a fellow writer I came to see how your writing can change.

I first met Amanda, my partner at the beginning of 2016 through a certain famous dating website I won’t mention by name and we started off as friends. Amanda had been writing for a few years by then and had certainly produced at least two novels and a few novellas by that point. However, what Amanda wasn’t used to was sharing her work and I can remember booking her onto my Podcast series, Spoken Label (where I chat to writers and artists on a regular basis) and I recall her being so nervous, she sent in her poems separately to my chat with her.

Shortly afterwards, I managed to persuade her to come along with me to Speak Easy a lovely, welcoming spoken word night in Stretford, which the pair of us actually co-run now years later with a friend, Steve) just to see other writers read out their work. She almost didn’t bring any of her work to read. Dave Hartley, the gentleman who used to run Speak Easy (and now runs a night called “Big Words” in Chorlton) was encouraging, saying if she wasn’t sure to just listen for the first half and see how she felt. Another friend of mine, Potting Shed Pete then sat with her and talked her through the pacing of her work.

Reading it, she was terrified. Her legs started shaking throughout her short set and although she couldn’t make the month after, she was back again in November. By the time she came to the January event we were then a couple. At the start of that year, I began taking her to other events over time, including one in the Village called ‘Out Loud’ where she read several more racey pieces, comical of course. One of these had a lot of gentleman crossing their legs in discomfort shall we say?

Amanda has finished off her degree in Creative Writing while we’ve been dating and at the time of writing this, has almost finished a Masters in Creative Writing. She’s now as confident and calm a writer as I have ever seen. The reasons behind that are numerous, but in essence simply trying out lots of other nights to keep pushing herself more and more. I took her down to a larger night at Manchester Central Library in July

2017 called Word Central. When she had a go the month after, she was nervous again, but wouldn’t give up and came back the next month after and after and two nights became three where we started going to a local night in Prestwich called Cuckoo calling run by my friends Gordon Zola and Jeffarama! a few months later.

She set up her own Podcast series called Amanda’s Reading Recommendations around then also, then changed it in January 2018 to ‘Reading in Bed’ and asked me did I want to co-host this as a monthly podcast (We will be recording Episode 20 soon) and later in 2018, we both appeared on Hannah’s Bookshelf, a literatures radio programme. We together sat in the studio reading our poems live on air. Amanda then got the opportunity at a night called Verbose to read out some extracts from one of her novels twice, and I was offered money to run a writing workshop in Langley, so I got it amended to cover the pair of us.

We were guests on a Podcast called Sample Chapter during that summer and on Welcome to Bolton Live. I was also asked to read out a few poems for a remembrance reading in a church in Stockport which un-nerved the pair of us. Amanda met a number of people there, from a group I went to called Write Out Loud Stockport (held at Stockport Art Gallery) which she came to once, intending it to be a one-off and now attends every month. I have carried on expanding the places we go together and doing writing projects separately all the time in addition to us working together on a literature magazine called Printed Words.

During this time, Amanda has changed as a person and so has her writing. I suspect it is partly down to her degree training, but also the fact she listens well to other people and is inspired by others to try out other approaches all the time. We recently performed poetry in her hometown of Bradford. She said was amazed it ever had a poetry scene, let alone that it had been going for a good few years. In addition to all this, we nearly have a joint book ready for release, hopefully before the end of the year and another major project which I think we’ll be able to reveal in the new year. I don’t have an answer where this has developed with her and also me to a degree, apart from the fact she constantly tries to come up with new ideas and outlooks. This has come from going out and meeting writers. Whether she would have done some of these projects without this introduction, is another story altogether I feel.

Swallows and Amazons

.

Pursued by Swallows

we used to sit there

berefit of ideas

before throwing our poems

in the river

whether complete or not.

.

Now we talk of Amazons

and nodding daffodils

rattling words like rods

across the river

with our pencils

becoming slender daggers

chasing pirates

across our dreams.

.

from Andy N’s third collection of poetry ‘Birth of Autumn’

Andy N’s website http://www.onewriterandhispc.blogspot.co.uk/